The woman born Jamesetta Hawkins on January 25, 1938, was far more than just a torch song singer, and was not at all the tragic mulatto with a white daddy complex that “Cadillac Records” constructed. In many ways, James’s personal and artistic journey, as opposed to the film’s caricature, has a lot to teach us about the shifting politics of race, class and feminist politics over the course of the last half century.
